closing performance (with DNK Ensemble) for James Beckett's Palace Ruin, 2016



Compression Artifacts, 2015
hydraulically compressed film set detritus, custom animation and projection
160cm x 160cm
photo courtesy GJ van Rooij



FLOTSAM, JETSAM, &
performance structure (with Koen Nutters, Seamus Cater, Gerri Jager, Tim Breukers)
photo courtesy Mattie van der Worm, 2015

Collaborative performance with DNK Ensemble (Seamus Cater & Koen Nutters) during Come Closer public program on Oude Kerk Rooftop, Amsterdam
installation 'The Garden Which is the Nearest to God' by Taturo Atzu, 2015
photo courtesy Roel Brekelmans












a Method for Blue Logic, 2014, 11' 2K DCP
Environment view, photo courtesy Roy Taylor, 2014
Review: Infinite Monkey Theorem – Metropolis M






Ghost Flowers – Herrmann Germann, Zürich





















photo courtesy Cassander Eeftinck Schattenkerk, de Appel arts centre, 'Your Time is Not My Time' Amsterdam, 2015












STRATA photo courtesy Bricolage Productions








Passengers, 2010 — ¿

Proxy, Or - Seventeen, London














What it is Without the Hand That Wields it, 2007
custom server and electronics

As gamers die in a public video game server of a modified version of Counter-strike, a popular online first person shooter, the electronic solenoid valves dispense
a small amount of fake blood. The trails left down the wall create a physical manifestation of virtual kills, bridging the two realities. The title references the
song of the same name by Telefon Tel Aviv.