info at rileyharmon dot com
selected two-page cv (pdf)

selected work

closing performance (with DNK Ensemble) for James Beckett's Palace Ruin, 2016
supported in part by Mondriaan Fonds

Compression Artifacts, 2015
hydraulically compressed film set detritus, custom animation and projection
160cm x 160cm
photo courtesy GJ van Rooij

performance structure (with Koen Nutters, Seamus Cater, Gerri Jager, Tim Breukers)
photo courtesy Mattie van der Worm, 2015

Collaborative performance with DNK Ensemble (Seamus Cater & Koen Nutters) during Come Closer public program on Oude Kerk Rooftop, Amsterdam
installation 'The Garden Which is the Nearest to God' by Taturo Atzu, 2015
photo courtesy Roel Brekelmans

a Method for Blue Logic, 2014, 11' 2K DCP
Environment view, photo courtesy Roy Taylor, 2014
Review: Infinite Monkey Theorem – Metropolis M

STRATA photo courtesy Bricolage Productions

Passengers, 2010 — 2013

Proxy, Or - Seventeen, London

What it is Without the Hand That Wields it, 2007
custom server and electronics

As gamers die in a public video game server of a modified version of Counter-strike, a popular online first person shooter, the electronic solenoid valves dispense
a small amount of fake blood. The trails left down the wall create a physical manifestation of virtual kills, bridging the two realities. The title references the
song of the same name by Telefon Tel Aviv.